Tag Archives: Brett Busang

The Hedgehog’s Array: July 24, 2014

hedgehog array logo_FLAT_72dpi[3]Noteworthy reads from the last week:

“Duties of Care in the Study of Literature,” Alex Wong
“How can anyone choose, except at random, what to take for representative? The judgement, the recommendations, the selectiveness of past readers can become, in this matter, a practical aid; ‘can become’, and in reality always do, like it or not. We might as well like it.”

“Indulgences: Counted & Forfeited,” Maureen Mullarkey
“Like any childhood game, my variant of double-entry bookkeeping was played in earnest. Saturday afternoon confession took care of the debit side. My little ledger memorialized the credit side.”

“Caved-in and Chopfallen,” Brett Busang
“It is Witkin’s capacity to both reflect and transform that is his greatest gift. For those of us who look for America in its facades and factories, Witkin’s apocalyptic vision is not reassuring. The old gods have been toppled, but not replaced.”

“John Craske’s Embroidered Life,” Alexandra Harris
“It is hard to tell whether this is a simple or a complicated book: its power lies in its being both.”

“In Praise of Boredom,” Claire Messud
“The need for art, film, and literature to entertain becomes disturbingly pressing: that is its purpose. It’s the reason why we bother with it, and without a reason, who would bother?”

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The Hedgehog’s Array: January 9, 2015

hedgehog array logo_FLAT_72dpi[3]

Noteworthy reads from the last week:

“My Life with Charlie Hebdo,” Eve-Alice Roustang
“I wish I could say tonight that we are all Charlie Hedbo readers. I’m proud that for a year or two, I was.”

“Here’s to a More Incredulous Age,” Michelle Dean
“The man responsible for the early Vanity Fair, Frank Crowninshield, was more of a to-the-manor-born type. Carter expends a lot of energy describing Crowninshield as a ‘cultural clairvoyant’ who spent ‘twenty-two roller-coaster years’ atop the masthead. He was, in fact, something more of a genteel, dandyish Boston Brahmin. He just happened to see something in his world to rebel against.”

Marketing Motherhood,” Elizabeth Stoker Bruenig
“On any rack of women’s magazines, a number of issues are ready to inform mothers or moms-to-be on how best to carry out the vocation of motherhood.”

“The Pen vs. the Gun,” Philip Gourevitch
“It’s hard to imagine how the Charlie Hebdo crew would have wrung a joke out of their own executions. But you can bet that they wouldn’t have shrunk from the challenge, and you can be sure that the result would have been at odds with any standard of good taste.”

“I Am Almost a Camera,” 
Brett Busang
“It has always been the case that instead of looking at the world, painters and photographers look into it. But by the 1940s Abstract Expressionists like Jackson Pollock openly averred that they cared nothing for replication.… Into this ferment, Richard Estes played both ends—the out and the in—against one another and came up with a captivating solution.”

“Ouster of Editor Points to Challenges for Small Journals Hosted at Colleges,” Peter Monaghan
“Publicity, promotion, distribution. There lie the problems, says Jay Tolson, editor of The Hedgehog Review at UVa’s Institute for Advanced Studies in Culture: ‘There are no problems with the editorial content; the product is excellent. It should have been more aggressively promoted.'”

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